I tore into The Wizard Knight right after finishing Gene Wolfe’s celebrated Book of the New Sun. I expected another dark alien world with Wolfe’s usual cloaked narrative. Instead I found bright meadows, talking cats, honorable knights, and overall a much more straightforward surface read.

Then I reached the final paragraph, closed the cover, and wept. The novel has not left my mind since.

If you have never read Wolfe, this is the easiest book to start with. Knights, dragons, giants, elf queens, princesses… everything sits right on the surface as you’d expect it in a fantasy adventure novel. Yet beneath that bright surface runs the same ocean‑depth you find in his denser books.

Read it once for the adventure. Let it baffle you. Then come back and try to uncover the deeper meanings of the book.

My thesis (spoilers below)

What finally clicked for me is a simple, if startling, idea that I took in a slightly different form from a writeup from Marc Aramini, a writer who knew Wolfe personally:

Able is a child in the womb who is dying, and his adventure in Mythgarthr is a mystical kind of limbo where he gets to live a full lifetime to become a knight.

Everything literal in the book still holds: he is truly fighting giants, time really does run at different speeds on each plane, and he is really experiencing a “world” for himself while literally in the womb of his mother. But the location of that world shifts. Mythgarthr is less a dimension the boy stumbles into and more a limbo where a life too brief for earth can stretch out and ripen.

A few puzzle pieces that lock into place

Puzzle on first read	How it looks through the womb lens
Able’s memories are “mixed up with a little girl’s.”	An unborn son sharing the conscious overflow of his mother.
Parka’s silver bow‑string never breaks and whispers like heartbeats.	It is the umbilical cord: bright, unbroken, carrying breath and memory from mother to child.
The sea heals Able, and Garsecg calls blood “the sea inside you.”	Amniotic water and maternal blood nurturing a child who must fight for life.
Able sees the real Able in an ambulance in America.	The “real Able” (the baby on earth) glimpsed from inside the suspended moment via a vision.
Michael the Archangel pauses Able and says, “Your mother never knew you.”	Literal for a baby who will never be born alive; Michael prepares the soul to meet Christ.

Suddenly the “two-dimensional” side characters make sense. They are archetypes in a myth crafted for one child’s formation. The dragon, Setr, far from being an external villain, becomes the ego, formidable but capable of being directed toward selfless courage. Every quest trains Able to choose self‑gift over self‑preservation, so that when the moment of earthly death finally arrives he answers it like a knight.

Michael’s Message in the Last Paragraphs

At the very end of The Wizard, we read the following:

“We live in Aelfrice, and for whole days we are children again, as we were the first time I came. Children, we run and shout among the groves and grottoes of an endless wood more beautiful than any you will ever see. Children, we go to the sea I love, to splash in the shallows and play with kelpies. She has given me a new dog, a white puppy with red ears. I call him Farvan; and at night we speak to him of the play now past and the play to come and he tells us puppy things.

But we are not always children, and sometimes we lie upon our backs in fine green grass to watch the world above where time runs swift. There we saw Marder knight Wistan and Bold Berthold slay Schildstarr. Soon time will ripen, and we will come again.

Michael has found me at last, and that is why I have written this for you, Ben. He tells us of a great lord in need of a knight. I have told Michael that I will be this lord’s champion if I may bring my lady. He says it will be permitted.

We go soon. You will see this, Ben, for Michael has found a way. Do not worry about me. I am fine.

All best, Art
(Arthur Ormsby)”

I suspect that this is exactly where Wolfe wanted to land the plane. A “great lord” is likely the closest thing we’ll get to a tip from Wolfe, a strong Catholic. This is none other than Michael the Archangel being sent by Christ to call Able, the baby-turned-knight, into the beatific vision.

My wife and I miscarried three times. I suspect Wolfe wanted to speculate what it would be like for our children to enter limbo. What does Christ do with infants who won’t be able to live a full life? Here, my theory is that Wolfe wanted to do some imaginative theology: he allows them to experience an earth-like fantastical adventure where their souls can truly grow up and be formed into noble souls.

So while the book reads on the surface like a colorful fantasy novel, it seems more like a meditation on what it means for a baby to grow up and become an ideal. And I absolutely adore the idea. I trust that the great Lord cares for all the unborn children who won’t make it, and that he’s going to fully form them into grown knights fit for his service. This is an ending I can consider just, one that I can accept with great peace.